In the spring and summer of 1952, fifteen Soviet Jews, including five prominent Yiddish writers and poets, were secretly tried and convicted; multiple executions soon followed in the basement of Moscow's Lubyanka prison. The defendants were falsely charged with treason and espionage because of their involvement in the Jewish Anti-Fascist Committee, and because of their heartfelt response as Jews to Nazi atrocities on occupied Soviet territory. Stalin had created the committee to rally support for the Soviet Union during World War II, but he then disbanded it after the war as his paranoia mounted about Soviet Jews. For many years, a host of myths surrounded the case against the committee. Now this book, which presents an abridged version of the long-suppressed transcript of the trial, reveals the Kremlin's machinery of destruction. Joshua Rubenstein provides annotations about the players and events surrounding the case. In a long introduction, drawing on newly released documents in Moscow archives and on interviews with relatives of the defendants in Israel, Russia, and the United States, Rubenstein also sets the trial in historical and political context and offers a vivid account of Stalin's anti-Semitic campaign. Published in association with the United States Holocaust Memorial Museum

Laura Esther Wolfson's literary debut draws on years of immersion in the Russian and French languages; struggles to gain a basic understanding of Judaism, its history, and her place in it; and her search for a form to hold the stories that emerge from what she has lived, observed, overheard, and misremembered. In Proust at Rush Hour, when her lungs begin to collapse and fail, forcing her to give up an exciting and precarious existence as a globetrotting simultaneous interpreter, she seeks consolation by reading Proust in the original while commuting by subway to a desk job that requires no more than a minimal knowledge of French. In For Single Mothers Working as Train Conductors she gives away her diaphragm and tubes of spermicidal jelly to a woman in the Soviet Union who, with two unwanted pregnancies behind her, needs them more than she does. The Husband Method has her translating a book on Russian obscenities and gulag slang during the dissolution of her marriage to the Russian-speaker who taught her much of what she knows about that language. In prose spangled with pathos and dusted with humor, Wolfson transports us to Paris, the Republic of Georgia, upstate New York, the Upper West Side, and the corridors of the United Nations, telling stories that skewer, transform, and inspire.